Showing posts with label Bulgaria. Show all posts
Showing posts with label Bulgaria. Show all posts

30 June 2012

Serbia and Romani music

Map of Serbia

I am very partial to the music of Serbia, Romania, Bulgaria, Kosovo, and Albania. Some of the music I perform and teach are Romani (Gypsy) in origin. It is my fondest desire that the Romani immersion during Amala School, Valjevo, Serbia, will give me deeper insight to these melodies. 16 Days until I'm there.

From Wikipedia:
Serbia is landlocked country located in the Balkans(a historical and geographical region of southeastern Europe) and in the PannonianPlain (a region of central Europe). It shares borders with Bosnia-Herzegovina, Bulgaria,Croatia, Hungary, the Republic of Macedonia, Montenegro, and Romania. Serbiaclaims a border with Albania as well through its disputed territory of Kosovo.It is landlocked, although access to the Adriatic is available through Montenegro,and the Danube River provides shipping access to inland Europe and the BlackSea.

From Wikipedia:
Romani music plays an important role in Central and EasternEuropean countries such as Croatia, Bosnia and Herzegovina, Serbia, Montenegro,Bulgaria, the Republic of Macedonia, Albania, Hungary, Slovenia and Romania,and the style and performance practices of Romani musicians have influencedEuropean classical composers such as Franz Liszt and Johannes Brahms.

24 February 2011

Martenitsa, celebrating Spring the Bulgarian way

On March 3 Orkestar Bez Ime and Mila Vocal Ensemble will be collaborating in a celebration of Spring at the Acadia Cafe in Minneapolis, Minnesota. The event will bring Bulgaria and Macedonia to the West Bank area of the University of Minnesota. Martenitsa! For more information on the concert, visit http://www.rogaria.com/shows.html

I learned this about 'Martenitsa' from Wikipedia........

"This is an old pagan tradition and remains almost unchanged today. The common belief is that by wearing the red and white colours of the martenitsa people ask Baba Marta for mercy. They hope that it will make winter pass faster and bring spring. Many people wear more than one martenitsa. They receive them as presents from relatives, close friends and colleagues. Martenitsa is usually worn pinned on the clothes, near the collar, or tied around the wrist. The tradition calls for wearing the martenitsa until the person sees a stork or a blooming tree. The stork is considered a harbinger of spring and as evidence that Baba Marta is in a good mood and is about to retire.

The martenitsa is also a stylized symbol of Mother Nature. At that early-spring/late-winter time of the year, Nature seems full of hopes and expectations. The white symbolizes the purity of the melting white snow and the red symbolizes the setting of the sun which becomes more and more intense as spring progresses. These two natural resources are the source of life. They are also associated with the male and female beginnings.
Wearing one or more martenitsi is a very popular Bulgarian tradition. The martenitsa symbolizes new life, conception, fertility, and spring. The time during which it is worn is meant to be a joyful holiday commemorating health and long life. The colors of the martenitsa are interpreted as symbols of purity and life, as well as the need for harmony in Nature and in people's lives."

18 February 2011

Aerobic Balkan Band OBI

Sometimes you just gotta be there......
Photo by Shelly Campbell
Last night Orkestar Bez Ime played their every third Thursday of the month gig at Black Dog Coffee & Wine Bar in Lowertown of downtown St. Paul, Minnesota.

This picture was taken by our photographer, Shelly Campbell, during an accordion intensive Bulgarian tune called 'Daichovo' which is in 9/16. For those of you counting Bulgarian rhythms with the aid of Mexican food, 9/16  is taco - taco - taco - burrito.

In this pic you can witness my adoring band mates adding their own personal comment on this complex meter during my accordion solo...oh my....!

(l to r) Natalie Nowytski with leg in the air, Colleen Bertsch with sideways violin and Scott Keever with upside down and backwards mandolin.  Behind me is Katrina Mundinger only visible by the clarinet bell growing out of the top of my bellows.