Russian Bayan Factory

This just one of many wonderful pictures of a Russian Bayan Factory on the blog of Sergei Mukhamedova.

http://ottenki-serogo.livejournal.com/177743.html

The page is in Russian but can be translated by Google Translator.
Now, keep in mind not all translators are equal (some are much funnier than others); Google Translator claims the factory as founded in 1930 and residing in Tula, which may well be accurate.

Shelves of Accordions

I've been asked many times how many accordions I own. At one time, when I had my studio/store open I would have said 200 or so as I had a nice stock of new and used instruments for sale. Now the answer is four. A Titano Bass accordion (for ensembles) that I personally rarely get a chance to play, a Pigini B-system chromatic 4/5 reed musette that I adore playing and use in teaching, a Titano Cochran Emperor 4/7 with free bass, pedal tones and extended right hand for concert work, and the work horse of my team a Titano Grand 3/5 from the early 60's - no frills - just a hefty reed sound great for folk music. If I had my way and money be of no object I'd have more instruments to choose from.

The picture to the above is from the Pigini accordion factory, the instruments on the shelves are not complete but waiting for their bellows and bass sections. Oh, to have a private shelf of completed accordions to choose from!

Accordion factory - Pigini

How an accordion is made is fascinating to me, these pictures are from a visit to the Pigini accordion factory. The man in the left hand picture is working on a keyboard, the person below may be working on the bass section of an accordion. Note the reed blocks in the lower right hand corner of the picture, each reed was hand tuned and waxed into place.

Horns on an accordion

Accordionists are well aware of the terms bellows, buttons, and keys but not all accordionists know or care about tone chambers.

A tone chamber changes the timbre (pronounced "TAM-ber") of the instrument and is used to apply tone color to the sound. The most common tone chamber is a wooden box inside the accordion that houses one rank of reed blocks. Sometimes it is a cover that slides into place over the air holes under the grill of an accordion.

The picture to above has examples of two early experiments in tone chambers for the accordion. If you look closely at the accordion picture you can see that early prototypes had the sound box (tone chamber) on the outside of the instrument. One of the additions resembles the bell of a trombone or tuba, the other is a hollow box used as the grill of the accordion. I suppose one could be called a tone chamber and the other a horn, verbiage aside the intent is the same, to change the timbre.

Although I can't say for sure how these instruments sound it is my guess that the open bell would project the sound, like a Stroh violin (see picture to right) and the enclosed box would give a hollow and muted tone.

Accordion prototypes from Italy

Here are a couple of other pictures from the Museo della Fisharmonica in Castelfidardo, Italy.

Notice the curved right hand keyboard that was supposed to facilitate moving up the keyboard with your hand in a natural arch.

The picture below is a keyboard only accordion, it is not missing the left hand buttons, it never had any.

More about the Museo della Fisharmonica

So you thought I was kidding about the Nativity scene in the bellows, right? The accordion museum in Castelfidardo has it all including an accordion stamp.

I've been to the museum a few times and am constantly amazed at the craftsmanship shown in the prototypes. And about their ingenuity and creativity, I'm speechless. More next week, until then, keep your bass strap tight and don't forget to open your bottom bellows snap.

Giant Accordion in Italian Museum

Italy is quite dear to my heart, after all it is the "Mecca" for people who love accordions. Why? Because most fine accordions are made between two hill towns in the Marche region of Italy.

In amongst the manufacturers and retail accordion stores winding in and around the streets of Castelfidardo and Loreto hides a wonder, the Museo della Fisarmonica (accordion museum), full of the historical prototypes of the modern day accordion. It is fascinating to observe all the different types of keyboards and shapes that have gone by the wayside in the evolutionary process of free-reed building technology.

The exhibit that ranked #1 with me? A 12 foot tall accordion that actually plays, yes, it works, I was lucky enough to hear it. The reeds are so large inside that they hook up an air hose instead of moving the bellows. Second place? An accordion with a Nativity scene in the bellows. Oh my.